virtual dub with lossless codec - huffyuv or lagarithuv - YUY2 AVI - sounds good. Metioned above don't want to deliver uncompressed to the PC, or 'shake hands' Or maybe you can recommend a brand I haven't identified yet. What device / card do you use for this purpose? Importing via virtual dub with lossless codec - huffyuv or lagarithuv. i just assumed 'the more the merrier'.Įnd point will be internet streamed, some media file vlc can play on the pc withĪcceptable compression, and probably dvd authored. Sanlyn - thanks for pointing out the pitfalls associated with movingīetween 8 and 10 bit color depth. You are probably right in saying this is where the TBC corrected signal gets How it uses the component out, just how to wire it up for a/b rolling edits. I just double checked the SVO5800 manual. I should probably call a few more when easter has
Mini using the h264 codec (lossy of course). Who also performed some tape cleaning for me - said they use the matrox Refused to divulge their methods (the "no pile" as you say). Releases have pulled colour depth back to 8 bit.Īre there any units / pcie cards out there that can deliver a higher qualityĭigital input - in a containerised file format? Not much information about on the internet re: this product. Will only work with Adobe Premiere Pro CS5. Would appear to detect a PAL input and lock user into an MPEG2 file I have spent some time looking at the following units as a replacement
The captured footage is grainy,lurid and I am sure I can do better. Video and audio inputs auto detected and not configurable (DV stream) multiple other HDDs available if need be (6) dedicated non system (c 2TB Seagate HDD for capture Default position for all other adjustments - Brightness, Sharpness etc. (Component out BNC exists, but is not supported by ADVC-300) Output via stereo RCA and S-VIDEO cable Research tells me that S-VHS and DV are not friends Leverage off the SVO5800P component out capability Acceptable chroma subsampling - at least 4:2:2 (25mbps withĤ:2:0 chroma subsampling / reduced colour depth). The ADVC-300 - which only allows use of its proprietary DV codec. The results have been disappointingĪnd I have concluded through testing that the weak link in the chain is Using the setup / workflow described below. 20 S-VHS format (super vhs) tapes that I intend to use in I have spent about one week researching various optionsĪvailable and not been able to find an appropriate one. I would really appreciate some help in picking a quality analogue videoĬapture device.
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